Some men about town...

We meet an inventive Dublin hero.

Meet a controlling sneezer.

From a secretary to a clergyman.

Romance language - and “literature”...

We meet the dashing seducer!

The brooding Dedalus brood shifts in time.

The Story So Far - So Far.

 Dublin city is on the move.

A little Latin loving, perhaps?

Father Conmee is such a thoughtful man.

Dublin opens up to Father Conmee.

A wonderful moment of characterization.

In a new chapter, Dublin city is a character.

The final moments of Scylla and Charybdis.

Amid Mulligan's bawdry - a profound moment.

Is the book taking over the narration?

Stephen is barely holding on.

Does Stephen believe his own theory?

Stephen lays out the drama.

Stephen’s own myth.

Stephen identifies family villains

Stephen & Brush up Your Shakespeare.

Stephen dons a paternity suit.

A Baker’s Dozen Special Edition.

Stephen links incest to avarice.

Stephen tallies Shakespeare’s deep resources.

Stephen describes the Shakespeare clan.

Shakespeare in love, sacred and profane. 

 Buck derogates and Stephen soars.

Buck Mulligan trashes the Playboy.

Was Hamlet a woman? Or an Irishman?

Stephen’s tormentor is back!

Stephen shows Shakespearean sympathies.

Stephen has a lot to say.

Stephen reflects on ancient thoughts.

Stephen is not yet among the new poetic voices.

Stephen's twixt Shakespeare and Theosophy.

Stephen famously opens portals of discovery.

Stephen launches his Shakespeare theory

Stephen’s theory moves toward lift-off.

In the library Stephen listens.

In the writing of Ulysses handwriting took on new meaning.

In the library Stephen theosophizes.

Who - or what - are Scylla and Charybdis?

Mr. Bloom has to run and hide.

 Mr. Bloom is a decent fellow.

Can Mr. Bloom arrest his anguished thoughts?

Enter some sober minor characters.

Is Mr. Bloom really a Freemason?

Mr. Bloom enjoys voluptuous memories.

Mr. Bloom is melancholy about oysters.

Mr. Bloom has to listen to some unwelcome chatter.

Mr Bloom orders lunch and fights off malice.

Mr. Bloom has a strange, futuristic view of dining.

Mr. Bloom is too disgusted for words.

Mr. Bloom fights melancholy with silk.

Mr. Bloom tries a little magic experiment.

Mr. Bloom overhears a mysterious, passing conversation.

The light of James Joyce’s life, his daughter, Lucia.

 Is Mr. Bloom having a sugar dip?

Wading beneath the surface of Ulysses...

Mr. Bloom contemplates pregnancies.

A hint of the kinky in Mr. Bloom.

Meet Cashel Boyle O’Connor Fitzmaurice Tisdall Farrell.

Mr. Bloom displays compassion.

Mr. Bloom meets a pretty old friend.

Mr. Bloom has fond memories.

The sandwich men are here!

An advertisement worries Mr. Bloom.

Mr. Bloom feeds the birds.

And on we go - into Chapter Eight.

Quiet departure from the cave of the winds.

Will the editor print Stephen's tale?

The Father of the Winds asks to be kissed.

Stephen begins to tell a story.

For New Year’s Day a Baker’s Dozen Special Edition on the year of Leopold Bloom.

Stephen listens, then leads

Stephen listens to echoes of Egypt

Moses enters Stephen’s life.

Stephen's in a world of fine words.

Stephen watches a code being cracked.

Stephen is encouraged to emulate.

It’s time for bad, very bad, jokes.

The radiance of the intellect.

And guess who’s back in the game? 

 Mr. Bloom has a funny walk.

Vested interests in the editor’s office.

A continuation of Wednesday’s half-upload!

In this throaty half-podcast Mr. Bloom reflects on a baker.

A Placeholder, because Frank’s voice isn’t working to day: listen…

Mr. Bloom hears more purple prose.

Mr. Bloom walks into a difficult room.

Memory matters for Mr. Bloom.

Mr. Bloom considers words and noises.

A Baker’s Dozen Special Edition on Joyce’s flummoxing riddle.

Mr. Bloom, amid noise, gets a result.

Mr. Bloom ponders journals and journalists

Mr. Bloom sees a distinguished gentleman.

Chapter 7 begins: In the Cave of the Winds 

Mr. Bloom gets little thanks for a sartorial correction.

Mr. Bloom sees a rat and is gloomy.

Mr. Bloom, in the cemetery, imagines alternative commemorations.

A great and famous confusion begins.

Mr. Bloom ponders death and mortality.

Mr. Bloom, at the graveside, observes many things.

Do we have a solution to Joyce's long-perplexing mystery? 

Mr. Bloom wonders whether our dead bodies can produce good food.

Mr. Boom sees an old love-rival, who doesn’t like him.

Mr. Bloom finds he is not alone in the cemetery.

Is Mr. Bloom being inappropriate at a funeral?

Mr. Bloom contemplates noxious vapors.

Considers the woman whose private fortune supported James Joyce for over twenty years.

Mr. Bloom prepares some condolences.

In this new, extra edition, Mr. Bloom has some jagged thoughts.

Mr. Bloom contemplates grave matters.

Mr. Bloom hears a good legal principle.

Mr. Bloom considers the further uses of cattle.

Mr. Bloom reflects on old songs and unfortunate hospital names.

Mr. Bloom recalls a coroner and funeral hurries on.

Mr. Bloom’s fellow-travelers make a gaffe - or is it deliberate?

Mr. Bloom contemplates the colors of burial.

Mr. Bloom’s mental travelog through Dublin continues. 

In which we find a cure for a drunk’s red nose.

The Story So Far - revisiting Chapters 1 to 5.

Mr. Bloom is subjected to rudeness.

Will the real Reuben Dodd please stand up?

The funeral rolls on past distinguished statues.

Mr. Bloom keeps his thoughts to himself as he moves away from a taunt.

As Mr. Bloom shows tact, James Joyce shows his own changing mind.

Mr. Joyce's life echoes Mr. Bloom's.

In which a major player in Mr Bloom's anguish steps onstage. 

Discover how and where the four men are sitting in the carriage.

Mr. Bloom reads the Hatches, Matches & Dispatches.

In a funeral carriage we see Mr. Bloom being snubbed.

During a halt in the funeral Mr. Bloom reminisces...

The funeral-goers uncover some of their carriage’s past life.

In response to a listener (and donor) some suggestions on how to read the works of James Joyce.

Sad thoughts for Mr. Bloom, as he recalls a better occasion.

Simon Dedalus, Stephen's father, threatens dire action against Buck Mulligan. 

In which Mr. Bloom sees for the first time Stephen Dedalus.

The carriage moves off, the funeral begins.

We begin a new chapter and go to a funeral.

Chapter Five ends in a bath-tub: or does it?

Mr. Bloom considers the game of cricket and a ballad.

Mr. Bloom thinks he can do better.

The beginning of a wonderful long-running joke.

Mr. Bloom considers hemophilia and lemony soap.

Mr. Bloom shows an understanding of nettles and oatmeal and rainwater

Mr. Bloom entertains deep thoughts about healing potions.

Mr. Bloom peers into the history and mystery of alchemy.

Mr. Bloom adjusts his clothing and steps out into the light.

Mr. Bloom dwells on lofty priests and lowlife pickpockets. 

Mr. Bloom and the wonders of the confessional.

In this Baker's Dozen special edition hear about two new and compelling books of Joyceana.

Mr. Bloom contemplates high voices and fancy drinks.

Mr. Bloom loves the sound of his wife's glorious voice.

Mr. Bloom attempts some democratic thoughts on Catholic worship.

Mr. Bloom has a few scathing thoughts on Catholics and their standards.

Mr. Bloom's irreverent thoughts extend to irreverent events.

Mr. Joyce, through Mr. Bloom's thoughts, offends the devout. 

I find interesting connections and mischievous irreverence.

Mr. Bloom contemplates some world religions.

Frank's centenary talk for the Rosenbacchanal dinner in Philadelphia on Friday 13 June 2014.

Mr. Bloom contemplates a virtual flood of dark brew.

Mr Bloom considers valuable signatures and barrels of Guinness

A woman with a jar of cool water in her head? Does Mr. Bloom imagine it?

Mr. Bloom has his own, somewhat questionable, version of the famous scene from the Gospels.

Mr. Bloom reflects on roughness, roses and thorns.

Mr. Bloom considers floriography.

Mr. Bloom reads his erotic correspondence and we learn a little more about him. 

 Mr. Bloom looks at a wise cat and opens his breathtaking letter.

Mr. Bloom, in search of a quiet corner, causes rudery to be unveiled.

Mr. Bloom contemplates the peaceful lives of horses. 

Mr. Bloom looks into the distance and recalls his poor father. 

Mr. Bloom, pleased at having vanquished McCoy, now worries about vaccination.

In this Baker's Dozen essay Frank looks at some of the places in Homer's Greece that connect to Joyce's Dublin.

Mr. Bloom agrees to oblige Mr. McCoy at a funeral.

Mr. Bloom gets wise to a luggage scam.

Mr. Bloom is hoping for something shocking but Life gets in the way.

Mr. Bloom is irritated by impediments to his lovely, rich-woman fantasy.

Mr. Bloom sees a rich lady, but is she too far above him?

Mr Blooms wants to read his secret letter but he's interrupted.

Mr. Bloom has scathing thoughts on the men in uniform.

Frank stalks Mr. Bloom to the Post Office and finds that he uses a false name!

Mr. Bloom is caught between Newton and Archimedes.

Mr. Bloom thinks how sweet it would be to do nothing.

Mr. Bloom has a secret and Joyce has a very good joke.

Mr. Bloom hears an undertaker's song.

a Baker's Dozen edition for St. Valentine's day, Frank considers the love story at the heart of Joyce's greatest work

The beginning of Chapter Five: Mr. Bloom goes forth.

Mr. Bloom is bodily refreshed and summoned by bells.

How do you connect Leonardo da Vinci to Disney's dancing hippos? 

The Literary Ambitions of Leopold Bloom.

Warning! TMI on the way - Mr. Bloom is in the toilet.

Mr. Bloom goes about his morning duty.

Mr. Bloom takes the air and considers his estates. 

Can Mr. Bloom's cat forecast the weather?

Is Mr. Bloom going to lose his daughter as well as his wife?

Mr. Bloom reflects on having a teenage daughter.

What a delicious breakfast a kidney makes.

Mr. Bloom's soft porn stirs his thoughts of reincarnation.

Frank's bonus edition looks at the man who wrote The Odyssey. Or did he? And was it a man?

Mr. Bloom's interest is whipped up by Ruby, the Pride of the Ring.

Do we hear a different kind of chamber music?

Poor Mr. Bloom fears the local Don Giovanni.

Mr. Bloom prepares a tray and keeps it in the family.

Mr. Bloom has fond but slightly unhealthy memories of  birthday gifts.

Mr. Bloom prepares breakfast but will the cat eat pork?

Mr. Bloom delivers the mail and a pain to his own heart.

Bloom's mood changes: he seems to have a cloud over him... 

Bloom's mood changes: he seems to have a cloud over him... 

Mr. Bloom experiences a mood change - he's literally under a cloud.

Mr. Bloom reminisces about Jewish friends and their harvest festivals.

Mr. Bloom, walking along the street, contemplates the sale of olive groves in the Middle East. 

Mr Bloom thinks about the girl next door, but her boyfriend is a cop.

The twelfth of Frank's "Baker's Dozen" podcast mini-essays; and this time he gives some added background to the major characters in Ulysses. 

Who's telling this story - Mr. Bloom or Mr. Joyce?

A girl in the butcher's shop excites Leopold Bloom.

Leopold Bloom licks his lips at sausages and hears children singing.

Mr. Bloom calculates how a barman rises to own a pub.

A barman makes an astounding declaration to Mr. Bloom

Mr. Bloom ponders the sunburst, the bank of Ireland, and independence, among other things.

Mr. Bloom imagines sweet music, and we think of a sweet sad song.

Mr. Bloom is musing on exotic flavors of the east, and crusty hot bread from Dublin

Mr. Bloom leaves home, but how will he get back in again?

As Mr. Bloom prepares breakfast for his wife, he thinks of her father, the Major.

We meet one of literature's most famous and delightful characters, Leopold Bloom of Eccles Street Dublin. 

Frank casts a brief backward glance over ChapterThree.

Yet another Baker's Dozen edition: The Introduction from the brand-new eBook, re: Joyce Volume One, which contains the transcripts of the first dozen podcasts.

In which Stephen, his teeth bothering him, leaves Sandymount Strand as Chapter Three ends.

Here we have a delightfully tricky cluster of references that range from Satan to a horse race in France.

Stephen has a few zombie thoughts about how a corpse will be changed by the sea.

Stephen listens to the rhythm of the waves and thinks of weavers at the loom.

 Stephen makes a contribution to the seven seas. 

Stephen considers having put himself in other people’s shoes.

Stephen has an unhealthy thought for the Book of Genesis.

 Touch & Go, Stephen dreams of yellow stockings and apple dumplings.

In which Stephen, naughty boy, takes the meaning of “ineluctable” a little farther.

In chapter 3 Frank discusses emblematic illustrations, bishops, religion and Aristotle.

As Stephen continues to write poetry we learn of Cassiopeia, augurs and their flights of birds, along with Freud, Jung, and Telemachus.

Frank discusses two quotes, one simple, one opaque, the latter filled with hidden symbolism, sexual desire and the connections that make them sing.

 Frank talks about Sylvia Beach and her part in brining Ulysses to the world. 

Frank discusses Joycean phrases including "Pin it Down" along with actor Kevin Spacey.

Stephen still on Sandymount. "Omnis caro ad te veniet." A pale vampire, and Douglas Hyde. Hamlet's tablets.

Still Proteus, still on Sandymount Strand, Stephen watches the "gypsy woman" pass. The handmaid of the moon. Bride-, child-, and death-beds.

The couple passes Stephen on the beach, and he wonders if the woman wonders about him - or his hat. Saint James, Hamlet, and Eve.

A bit of song: The Rogue's Delight and The Canting Academy. Morose delectation. Stephen muses on monkwords versus roguewords.

Stephen contemplates the lingo of rogues, and Frank introduces us to Thomas Harman and Richard Head.

The cocklepickers become Gypsies in Stephen's mind. Bing awast to Romeville.

Stephen's dream, almost. Haroun al Raschid. Adverb becomes verb.

The dogs digs; Thomas Gray's Elegy. Spouse-breach and pards, and Brunetto Latini's Tesoretto.

Tatters, the cocklepickers' dog, encounters a fallen comrade on Sandymount Strand and is called away. In Memoriam.

Still on Sandymount Strand: a dog, depicted with a painter's eye, barks at the sea. Heraldry. Seamorse… or seamouse?

Stephen thinks of drowning, and his mother's death. Tide and change.

In this bonus episode a few days before Christmas, Frank discusses the final tale of The Dubliners: The Dead.

Stephen, dwelling on insults, thinks of the Decameron - and of his own failures of courage and athleticism.

Still on the same paragraph, Frank considers Walter Harris's The History and Antiquities of the City of Dublin as a source for Joyce. Moving on, the dog barks, and Stephen imagines himself a stag at bay. Famous pretenders.

A running dog on the beach. Stephen thinks of Lochland raiders, and of ancient Dubliners attacking beached turlehide whales.

Just over halfway through Chapter 3, Proteus, we continue last week's passage. Sir Lout the gigant, and a live dog.

Stephen ascends from the tide, in both thought and motion, but finds only weeds, rocks, and rats. Louis Veuillot on Gautier, and an Arabian tale of sand and stone that may or may not be off-topic.

Stephen doesn't want to spend another night at Martello tower; luckily, his soul walks with him. Elsinore.

A return from Paris to Sandymount Strand, and the Kish lightship. Depressions in sand and soul, and time passing.

Paris still remembered on the Strand. Kevin Egan used to be a fine figure of a boy. Old bombs, old exiles, and old songs - and we're done with kevin Egan.

Continuing a paragraph, Kevin Egan in the Paris of Stephen's memory. Victoria and Maud Gonne, Millevoye and Faure. Bathtime. Next paragraph: the bomber smokes, and muses on the jailbreak of James Stephens. 

Conversations in Paris. Dalcassians, Arthur Griffith, pimander. Stephen as his father's son in Kevin Egan's eyes. A shirt tells a story.

Stephen still remembers Paris with Kevin Egan and Patrice: gunpowder cigarettes, absinthe, milk, coffee, and postprandials.

The smell of Paris, a sensual meditation, and a bit of French farce. Giacomo Joyce.

Frank takes a look at four more stories from The Dubliners in this poorly-named episode: A Painful Case, Ivy Day in the Committee Room, A Mother, and Grace.

Pained memories, and a song. Sense-memories of Paris.

Columbanus, Fiacre, and Scotus. Stephen's return from Paris, with dirty magazines and a fateful telegram.

Stephen's remembered self, still in Paris, walks like the dispossessed - and murders in his mind. The Linati schema.

Nostalgia for Paris: medical studies and cheap stew, ticket stubs and alibis.

Thinking of Paris and Irish expatriates: Patrice, dynamite, and wild geese. The Michelet view of women, and a little French dialogue.

Stephen is not going to his aunt's house after all. Kevin Egan, and the works of the blasphemous M. Leo Taxil.

Musings on the sand, shells, lost ships, and sewage. A stogged bottle, and Christ imagery on a clothesline.

Stephen imagines his writings lasting an epoch, a mahamanvantara. Then: back to the third-person narrative of grainy sand and squeaking pebbles. 

Still Chapter 3, on the Sandymount Strand. Stephen reflects on his childhood reading habits, literary ambitions, and private conceits.

Stephen will never be a saint, for various reasons.

Still on Sandymount Strand. "Dan" Occam, the invincible doctor. Imagined bells and twinned principles.

Priests move through Stephen's mind, in the sort of passage that got Joyce in trouble. Three bells mark three Eucharists.

Frank delves into the second five stories of the Dubliners.

Stephen recalls friends and priests by nickname, and considers Jaochim Abbas, that old heretic.

Stephen ponders his family's fall from grace. Joachim Abbas. Frank unpacks "the rabble."

In Stephen's mind (still on Sandymount Strand), his uncle offers him food and drink, of a sorts. Second-hand opera, and a note of warning.

A special episode celebrates Bloomsday 2012 on June 16. Frank introduces us to the first five stories of Dubliners as a way of "getting into Joyce."

An imagined domestic scene, mock heroism, and Stephen's nuncle. Differing versions of the text, and contradictions. Names unpacked, and a poignant poem. 

In Stephen's mind, his father continues to mock his mother's family, and Stephen visits his uncle's cottage.

Sandymount Strand. Stephen's thoughts: his father's voice editorializes on his mother's family. To illuminate, Frank calls on the Iliad, and Thersites's rant against Agamemnon.

Chapter 3 continues along Sandymount Strand. Wind and waves, Hamlet, and a god of the sea.

Stephen on the nature of the trinity, and the fate of heresiarchs. Contransmagnificandjewbangtantiality.

Still on Sandymount Strand. Stephen ponders his own origins and, for the first time, reflects on his father.

Still on the beach, Stephen muses on Eve, bellybuttons, bucklers, and a good deal of poetry.

Stephen ascribes a crime to the midwife on the beach. A phonecall to the navel of the world.

Chapter 3 returns to "normal" narrative for a moment. Women descend to the sea. Swinburne.

In this bonus episode, Frank describes Joyce's reading list, which owed so much to his Catholic education.

Stephen parses the poetry of his own thoughts, and opens his eyes to see if the the world has persisted. It has.

Stephen's thoughts echo his steps as he walks on shells. Frank digresses on Proust.

Stephen walks blindly in borrowed boots and trousers. Los demiurgos and William Blake.

Stephen closes his eyes and walks in the audible world. Nacheinander and Nebeneinander.

More thoughts on Aristotle, by way of Berkeley, Johnson, and Boswell.

Slightly deeper into chapter 3. Diaphanous reality, and a quick lesson on Aristotle.

The beginning of chapter 3, Proteus. Stephen's stream of consciousness takes over as he walks along the beach.

End of Chapter 2: Nestor. A brief summary.

Stephen finally pries himself away from Mr. Deasy, and a recurring theme is introduced. 

Mr. Deasy's litany of women who ruined things for everybody. 

Joyce the symbolist. History may or may not be moving towards God.

Stephen reflects vividly upon Mr. Deasy's rant.

Frank unfolds Joyce's daily life in Zurich, which he in many ways abandoned to live in the Dublin of his Ulysses.

Mr. Deasy expounds upon the Jews.

Mr. Deasy, in addition to his other qualities, is a paranoid and a bigot.

A letter to the editor, deconstructed.

Reflections on hockey and history. Stephen reads - or at least scans - a letter.

Waiting in Mr. Deasy's office, Stephen is transported by the art on the walls.

Stephen fails to warm to Mr. Deasy's arguments.

Stephen debates Mr. Deasy - in his own mind, at least. 

Frank unpacks Mr. Deasy's politics.

Mr. Deasy and Stephen continue their exchange, and Frank unpacks the tartan from a painting of a prince.

Stephen tallies his debts - as does Joyce.

Mr. Deasy expounds on the power of money; Frank digresses.

Stephen is paid, meticulously.

In this bonus episode, Frank draws from Frank Budgen's memoir to illuminate Joyce's painterly grasp of detail and language.

A little financial arrangement.

As Stephen waits in the headmaster's study, we learn something about its inhabitant.

A new character enters the stage in the longest and least complicated passage yet.

More on mothers, their love, and secret childhoods.

Stephen dwells on ancient philosophers: Averroes, Moses Maimonides, Bruno.

Moors, math, foxes, and the dead.

Eyeing the student Sargent, Stephen considers saints, sons, and mothers.

Stephen's reflections on a poor student plumb the limits of a mother's love.

A boy stays after class, and Joyce toys with both authority and identity.

As Stephen's class lets out, a riddle is asked and answered, satisfying nobody.

Stephen is a somewhat merciful teacher. Musings on Jesus, government, and riddles.

Stephen's classroom; a library in Paris; Blake and Aristotle; dragons and souls.

Observations on the author, and the history of Ulysses.

In Stephen's classroom, Joyce brings in Milton. Reflections on drowning.

In Stephen's musings on history, real and potential, Frank finds a recurring Joycean theme.

Stephen muses on first-rate wit and second-hand history.

In Stephen's classroom, four girls' names hint at religion, class, and sex.

In Stephen's classroom, Frank muses on the names of cookies and of boys.

Stephen continues his lesson, and we learn something of both Pyrrhus and Nestor.

We begin Chapter 2, and find Stephen in the classroom with old battles, radical poets, and the daughters of memory.

June 16 is Bloomsday, as well as the one-year anniversary of this podcast.

Mulligan bathes, and Stephen takes his leave. The end of chapter 1.

Gossip at the swimming hole: an unlikely officer, redheads, supermen, and missing ribs.

Stephen, Mulligan, and Haines encounter bathers, and Joyce employs some foreshadowing with news of Mulligan's brother.

Stephen fathoms the depths of both Hell and Dublin Bay, and Frank muses upon T. S. Eliot.

Stephen presents us with a roll call of heresiarchs.

In this bonus episode, Frank discusses the four characters we've met so far, along with their real-life antecedents.

Stephen considers the Church.

Stephen claims to serve three masters.

Haines asks Stephen about a personal god, and Stephen answers - out loud, briefly, and to himself, at great length.

Stephen and Haines share a moment and a smoke.

Mulligan capers, versifies, and blasphemes.

Haines dwells on Hamlet, and we are reminded of the famous sons of that play, the Odyssey, and - of course - the Bible. 

Mulligan plays with paradox, and we get a foreshadowing of Stephen's father.

We learn the price of both a rented tower and a lecture on Hamlet.

Punctuation obfuscates; but we press on, and find significance in Stephen's walking stick.

Mulligan is full of contradictions.

We have a bit of a breather while Stephen and Buck debate what, if anything, Stephen's aphorisms are worth.

Stephen's inner voice, a presumption of remorse, and a few words on Ireland's climate.

Literature and lore in Joyce's Dublin.

In a rare uncomplicated passage, milk is measured, and Frank describes the various types of junkets.

Levels of respect: for women, doctors, and the Irish language.

Frank Delaney offers a special surprise in honor of James Joyce's Birthday.

The old woman carries, not just milk, but an allegory of Ireland herself - at least in the eyes of both Stephen and Joyce himself.

More scholarship of folklore. The milk arrives, and its bearer is mocked by Mulligan and venerated by Stephen.

Mulligan gets mythic, and mocks exactly the sort of thing this podcast is doing.

Petulance for breakfast, "pet" and "kip," and a dirty joke about the tea.

A key is found, a door opened, breakfast is served, and various profanities are narrowly avoided, for once.

We sit down to a fortified breakfast, and meet Haines and his dream. Also: more blasphemy.

Stephen sees ceremony and symbolism in a shaving bowl.

Stephen is called to breakfast by Buck, and hit up for a loan at the same time. All is not forgiven.

We translate Stephen's prayers for the dying from the Latin, and return immediately to both Homer and Shakespeare.

In his second bonus podcast, Frank discusses Joyce's formation on the Island of Saints and Scholars.

Stephen's mother is placed in the structure of the cosmos.

Stephen, still brooding, summons memories of his mother's life, and we learn something of pantomime.

Stephen remembers, poetically and tragically, his mother's deathbed.

As Stephen stands alone on the tower, we muse upon the painterly language of the seascape.

Mulligan, descending the stairs, trivializes his own insults - and musters considerable literary resources to do so.

Stephen absorbs Mulligan's insults and, standing upon the tower by the sea, once again recalls his Shakespearean precedent.

Mulligan boldly defends himself against Stephen's charge, and dissects death  - and Stephen himself - in the process.

We touch on one of the most important themes of Ulysses, and perhaps in all of writing.

A few thoughts on the Celtic spirit, and on what, exactly, can be seen from Martello tower.

We dig through some more insults, and ponder the names of characters who don't, in fact, appear in the novel.

A single word produces lessons on the Greek language, politics, and cultural criticism.

Stepping away from the narrative for a moment, Frank gives us a look at Joyce's education, his family, and his conflicted relationship with the Catholic church.

Stephen and Mulligan fence - or, alternately, joust.

The looking glass evokes both Shakespeare's Caliban and Oscar Wilde's Dorian Gray

As the insults mount, Stephen faces his own reflection.

 We find meaning - and a Shakespearean precedent - in Stephen's black clothing.

Getting past Mulligan's accusations of mummery, we enter Stephen's thoughts and encounter his dead mother.

Jame's Joyce's blasphemy still has power today.  Listen to Frank Delaney investigate the next section of Ulysses.